Jude is dragged out of Alt-Country obscurity, out of the dismal loop of booze and sadness baths and the boundless, insatiable loneliness, to scrub up and fly to Australia for a last, desperate comeback tour. Hardly worth getting out of bed for—and he wouldn’t, if it weren’t for Coreen.
But Coreen is dead. And, worse than that, she’s married. Jude’s swan-song tour becomes instead a terminal descent, into the sordid past, into the meaning hidden in forgotten songs, into Coreen’s madness diary, there to waken something far worse than her ghost.
A 4 star read
Ariadne, I Love You is one of those stories that will haunt you long after you’re done reading it. It is the story of Jude, a country musician, that never truly got his life together. He’s filled his life with music, booze, and the thought of Coreen; his friend’s wife. He idolizes Coreen and sees her in every woman he’s ever been with. When he gets asked to fly to Australia for a comeback tour he finds out the devastating truth: Coreen is dead. This news sends him spiraling into the past.
J. Ashley-Smith has a special talent for writing stories that not only will crush your heart, but also are poetic in nature. His prose is unique and will leave you floating in a dreamlike trance.
I’m not sure if Adriane, I Love You is truly a ghost story, or if we are simply following the story of an obsessed man. It could go either way, as Jude put Coreen on a pedestal his entire life, without ever truly getting to know her.
A big thanks to Meerkat Press for the review copy and letting me be part of this blog tour!
ABOUT THE AUTHOR: J. Ashley-Smith is a British–Australian writer of dark fiction and other materials. His short stories have twice won national competitions and been shortlisted seven times for Aurealis Awards, winning both Best Horror (Old Growth, 2017) and Best Fantasy (The Further Shore, 2018). His novella, The Attic Tragedy, was released by Meerkat Press in 2020 and has since been shortlisted for an Aurealis Award, an Australian Shadows Award, and a Shirley Jackson Award.
J. lives with his wife and two sons in the suburbs of North Canberra, gathering moth dust, tormented by the desolation of telegraph wires.
Today, I’m bringing you my review of Captain Clive’s Dreamworld written by Job Bassoff as part of Blackthorn Book Tours. I was kindly enough given a review copy, and I’m really thankful for that. You do not want to miss out on this one folks!
Deputy Sam Hardy certainly isn’t one of the good guys. Even though he is a keeper of the law, he comes with his own troubles and problems. Thing is, he specifically likes to seek out trouble. After he gets caught up in the death of a young woman, his supervisor sends him to a town called Angels and Hope. Now, this town is in the midst of the desert, and only exists because of an amusement park by the name of Captain Clive’s Dreamworld.
As soon as he arrives he realizes something isn’t right with the town and the townsfolk. They are all way too happy, and they keep reassuring him there is no crime in Angels and Hope. As Hardy starts digging deeper, he realizes that girls keep going missing and no one seems to care. But looking into those missing girls puts Hardy into a dangerous position, and he soon can’t tell what is real and what isn’t anymore.
After finishing this book, I had to take a moment to process what just happened. Bassoff really grabs you by the throat in the last stages of the book, and knocks the breath out of your lungs. I mean, the entire book already felt like an odd fever dream, but it isn’t until you get close to the end that things become really dark and twisted.
I loved the atmosphere of this book. I was imagining it almost like an episode of The Twilight Zone that Hardy found himself in. It was weird, but written so well. I only wished certain scenes wouldn’t have been quite so graphic. It really came out of nowhere, and I was a bit shocked. It didn’t put me off the book though, as I still think it’s excellent.
Thanks again to Blackthorn Book Tours for this opportunity!
Welcome to the The Road to Woop Woop Blog Tour. I teamed up with Meerkat Press to introduce to you a collection of speculative fiction and dark fantasy stories by Eugen Bacon. Stay until the end of the blog post for a chance to win a $50 book shopping spree!
THE ROAD TO WOOP WOOP by Eugen Bacon RELEASE DATE: DEC 1, 2020 GENRE: Collection / Speculative Fiction / Dark Fantasy
SUMMARY: Eugen Bacon’s work is cheeky with a fierce intelligence, in prose that’s resplendent, delicious, dark and evocative. NPR called her novel Claiming T-Mo ‘a confounding mysterious tour de force’. The Road to Woop Woop and Other Stories imbues the same lushness in a writerly language that is Bacon’s own. This peculiar hybrid of the untraditional, the extraordinary within, without and along the borders of normalcy will hypnotise and absorb the reader with tales that refuse to be labelled. The stories in this collection are dirges that cross genres in astounding ways. Over 20 provocative tales, with seven original to this collection, by an award-winning African Australian author.
The Road to Woop Woop is a very unique collection of short stories by Eugen Bacon. I had never had the pleasure of reading her works before, so I was quick to accept an early review copy from the publisher. The book contains over 20 stories, some have been published before, and some were new.
What I found within the pages of this book were thought provoking and enchanting stories. They all flowed like poetry and varied greatly in genre. Like most short story collections there were some stories I didn’t particularly like, which in this casemight come down to the fact that I didn’t understand them. I might have missed the underlying point of them, I’m not entirely sure to be honest.
I do think that the author has a way of pulling you into a story and describing the scenery in an almost mythical way.
Thanks to Meerkat Press for letting me part of this blog tour.
ABOUT THE AUTHOR:
Eugen Bacon is African Australian, a computer scientist mentally re-engineered into creative writing. She’s the author of Claiming T-Mo (Meerkat Press) and Writing Speculative Fiction (Macmillan). Her work has won, been shortlisted, longlisted or commended in national and international awards, including the Bridport Prize, Copyright Agency Prize, Australian Shadows Awards, Ditmar Awards and Nommo Award for Speculative Fiction by Africans. AUTHOR LINKS: Website|Twitter
Alongside the awesome people over at Blackthorn Book Tours, I’m excited to bring you my review of The Cult of Eden by Bill Halpin. It is an action packed occult horror/ thriller that I recently had the pleasure of reading.
Summary of The Cult of Eden:
Newlywed Will Battese finds himself homesick and overwhelmed after following his ambitious wife, Shannon, to New York City. When a surprise pregnancy shreds their already meager budget, Will drops out of college and settles for work at a low-end diner. There, a small act of kindness draws the attention of Victor Degas, a man with an unsettling presence and deformed eyes. Unbeknownst to Will, Degas belongs to an ancient, sophisticated cult known as the Edens and believes Will to be the key to gaining otherworldly power. As the sun sets on Good Friday, Degas orchestrates a home invasion in which Will and his baby boy, Gideon, are kidnapped, leaving Shannon to join forces with an unreliable agent from the Roman Catholic Church. While Will struggles to save other innocents from the Eden parish below the city, Shannon discovers that the cult plans to use her family for an unimaginable demonic ritual, and that the Vatican may let it happen. With no one to trust but themselves, Shannon and Will must fight not only to survive, but to keep their humanity intact. THE CULT OF EDEN is the first volume in The Unrisen saga.
Did that pique your curiosity? Well, it certainly did mine! And I’m truly glad it did.
My honest review:
I don’t understand how this is Bill Halpin’s debut novel. It reads more like a book from a bestselling author. It is an excellent good vs. evil horror thriller, and it really sucks you into the story. Halpin’s characters are lifelike and believable, and the world around them is carefully built to support the book.
I have always enjoyed books about cults, and I love how much action Halpin packed into his book. There is never a dull moment, and there is enough violence to even fill my dark horror heart.
Speaking of violence, there was one violent aspect of the book that I could not get over with and think he could have written it differently. I’m not easily disturbed, but something about that short scene didn’t sit right with me. I won’t go into any details, so I don’t spoil the book, but as a mother I just couldn’t overlook that.
I give the book 4 out of 5 stars.
If you’d like to find out more about the book or the author, here is some information to help you:
Trigger warnings: Some intense and violent scenes. Demonic cult and religious themes.
About the Author:
Bill Halpin was born and raised in Orlando, Florida, where he grew up on the horror genre. After graduating from the University of Central Florida, Bill moved on to New York City and earned a degree in Optometry from SUNY. Now, he lives and practices in Saratoga Springs, NY and writes in between his appointments. The Cult of Eden is his debut novel.
Thanks to Blackthorn Book Tours I’m able to bring you my review and detailed information on Jacy Morris’ novel The Drop.
Amazon star rating: 4.5
How many hearts can a song touch? How many ears can it reach? How many people can it kill? When popular boy band Whoa-Town releases their latest album, no one thinks anything of it. They certainly don’t think that the world will be changed forever. After an apocalyptic disease sweeps the world, it becomes clear that the music of this seemingly innocuous boy band had something to do with it, but how? Katherine Maddox, her life irrevocably changed by a disease dubbed The Drop, sets out to find out how and why, to prevent something like The Drop from ever happening again.
The Drop by Jacy Morris is the story surrounding “The Drop”, a mysterious illness that seems to strike people at every age, but mostly young ones at first. No one knows what causes this affliction and not even the CDC can figure out how to cure it. Some people say a boy band named Whoa-Town is behind it all. The illness seems to affect people’s mental health, yet has no physical symptoms.
The protagonist, Katherine Maddox is a young journalist reporting from an apocalyptic wasteland. She has lost everyone she loves to “The Drop” and is fighting to prevent it from happening ever again. Can she figure out the link between Whoa-Town and the death of countless victims?
I have to admit when I picked up the Kindle copy of The Drop, I was a bit skeptical. Five hundred plus pages about a boy band and an apocalypse? Does that even work? Well, let me tell you right now that it does. And it works amazingly well. From the beginning on I was sucked right into the story. It is told in many different formats, and never once bored me.
We have Katherine telling her side of the story from the present time, but also from her diary entries written in the past. Then there are interviews, newspaper articles, websites, forums and more. The author really built an entire world here. Jacy Morris blew me away with his talent and ability to tell a story. Very well done.
The only reason I’m giving it 4.5 stars, is because I found typos and errors, which isn’t that bad, but it jumps out at me. I just can’t overlook them sometimes.
Thanks to Blackthorn Book Tours for the free review copy and letting me be part of this book tour!
About the author:
Jacy Morris is a Native American author born in 1979 in Virginia. He is a registered member of the Confederated Tribes of Siletz. At the age of ten he was transplanted to Portland, Oregon, where he developed a love for punk rock and horror movies, both of which tend to find their way into his writing. Under the pseudonym The Vocabulariast, he was the writer/owner/CEO of the website MovieCynics.com from 2007-2014. He graduated from Portland State University with a Masters in Education. He has been an English and social studies teacher in Portland, Oregon since 2005.
His first film, All Hell Breaks Loose has a cult following. His second film, entitled The Cemetery People is now in post-production.
He has written several books, including the “This Rotten World” series, The Pied Piper of Hamelin, Killing the Cult, and “The Enemies of Our Ancestors” series. The Abbey was his first book under his real name. In between drinking beer and watching horror movies and hockey, he is currently working on the following books: An Unorthodox Cure, and the fourth chapter of This Rotten World.
Step right up to the Funhole, but be advised: Do not get too close! Tomorrow marks the release of The Cipher by Kathe Koja. A book that was originally published in 1991, but has since gone out of print. The amazing team over at Meerkat Press is now once again bringing the Funhole to readerseverywhere.
I’m so excited to be a part of this special blog tour. In this blog post, I’m bringing you my review, an excerpt from the book, and if you stick around to the end a giveaway from Meerkat Press! So let’s get started!
Winner of the Bram Stoker Award and Locus Awards, finalist for the Philip K. Dick Award, and named one of io9.com’s “Top 10 Debut Science Fiction Novels That Took the World By Storm.” With a new afterword by Maryse Meijer, author of Heartbreaker and Rag.
“Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive.” When a strange hole materializes in a storage room, would-be poet Nicholas and his feral lover Nakota allow their curiosity to lead them into the depths of terror. “Wouldn’t it be wild to go down there?” says Nakota. Nicholas says, “We’re not.” But no one is in control, and their experiments lead to obsession, violence, and a very final transformation for everyone who gets too close to the Funhole.
I first read The Cipher about ten years ago. It stayed with me ever since, and I was so excited to find out that Meerkat Press was publishing it again. Since reading the book for the second time, I have read several reviews and opinions on it. I have to be honest and say, this book might not be for everyone.
There are different kinds of horror, and if you are expecting ghosts or murderers to pop out around every corner, then this isn’t for you. There are no physical demons or monsters to fight. This book is so much more than just a simple horror story. It is complex, and can be interpreted a lot of ways. Reading it for the second time still left me with questions, which might never be answered. I personally believe that books are art, and any art form can be interpreted in different ways. This is why I want to advise you, that my interpretation might not be correct per se, but just my thoughts on the topic.
To me, The Cipher, is a powerful story about an artist who struggles with his own identity. Nicholas knows he could be a poet, if he only tried hard enough. But certain powers keep him from achieving his goals. I think a big counterpart to his artistic abilities is depression. As we read the novel, we see a lot of unused talent and lack of ambition from all “players” within. The entire setting of The Cipher is bleak and dark. To me, the Funhole is almost a metaphor for the darkness of depression. A darkness that becomes an obsession for everyone around it.
There are still a lot of actual horror elements within the book, and it can be quite gruesome and gory. In its essence it is a horror novel, but also so much more than that. The entire book is written from the perspective of Nicholas. It is written in a conscious-narrative style, something that I have never seen before in this way. It does get confusing at times, but don’t all of our thoughts confuse us sometimes too? I believe Koja picked a perfect writing style for her story. It made it seem so much more real and believable.
You also can’t go into this book and expect to find likable characters. You simply won’t find them. Every single person in this story is a broken individual with their own monsters to fight. They don’t try to achieve great things, instead they simply live day to day. Most of those days are a mix of bad jobs, drinking and simply existing. The Funhole seems to give the characters a purpose in life, no matter how weird and twisted the outcome.
Though this book was first published in 1991, I believe it will always be relevant. I simply can’t stress enough how profound this book is, and I am convinced if you just give it a chance, you will be as impressed as I am.
And now an excerpt from The Cipher:
Nakota, who saw it first: long spider legs drawn up beneath her ugly skirt, wise mouth pursed into nothing like a smile. Sitting in my dreary third-floor flat, on a dreary thrift-shop chair, the window light behind her dull and gray as dirty fur and she alive, giving off her dark continuous sparks. Around us the remains of this day’s argument, squashed beer cans, stolen bar ashtray sloped full. “You know it,” she said, “the black-hole thing, right? In space? Big dark butthole,” and she laughed, showing those tiny teeth, fox teeth, not white and not ivory yellow either like most people’s, almost bluish as if with some undreamed-of decay beneath them. Nakota would rot differently from other people; she would be the first to admit it.
She lit a cigarette. She was the only one of my friends who still smoked, without defiance or a guilty flourish, smoked like she breathed but not as often. Black cigarettes, and sweetened mineral water. “So. You gonna touch it today?”
Another unsmile. “Wiener.” I shrugged. “Not really.” “Nicholas Wiener.”
So I didn’t answer her. Back to the kitchen. Get your own mineral water. The beer was almost too cold, it hurt going down. When I came back to the living room, what passed for it—big windows, small floor space, couch, bed and bad chair—she smiled at me, the real thing this time. Sometimes I thought I was the only one who ever saw that she was beautiful, who ever had. God knows there wasn’t much, but I had eyes for it all.
“Let’s go look at it,” she said.
The one argument there was no resisting. Quietly, we had learned to do it quietly, down the stairs, turn right on the first landing (second floor to you), past the new graffiti that advised LEESA IS A HORE (no phone number, naturally; thanks a lot assholes) and the unhealthy patina of aging slurs, down the hall to what seemed, might be, some sort of storage room. Detergent bottles, tools, when you opened the door, jumble of crap on the floor, and beyond that a place, a space, the dust around it pale and easily dispersed.
Behold the Funhole.
“Shit,” Nakota said, as she always did, her prayer of wonder. She knelt, bending low and supporting herself on straight-stiff arms, closer than I ever did, staring at it. Into it. It was as if she could kneel there all day, painful position but you knew she didn’t feel it, looking and looking. I took my spot, a little behind her, to the left, my own prayer silence: what to say before the unspeakable?
Black. Not darkness, not the absence of light but living black. Maybe a foot in diameter, maybe a little more. Pure black and the sense of pulsation, especially when you looked at it too closely, the sense of something not living but alive, not even something but some—process. Rabbithole, some strange motherfucking wonderland, you bet. Get somebody named Alice, tie a string to her . . . We’d discussed it all, would discuss it again, probably tonight, and Nakota would sit as she always did, straight-backed as a priestess, me getting ripped and ripping into poetry, writing shit that was worse than unreadable in the morning, when I would wake—more properly afternoon, and she long gone, off to her job, unsmiling barmaid at Club 22 and me late again for the video store. She might not come again for days, or a day, one day maybe never. I knew: friends, yeah, but it was the Funhole she wanted. You can know something and never think about it, if you’re any good at it. Me, now, I’ve been avoiding so much for so long that the real trick becomes thinking straight.
Beside me, her whisper: “Look at it.”
I sometimes thought it had a smell, that negative place; we’d made the expected nervous fart jokes, the name itself—well, you can guess. But there was some kind of smell, not bad, not even remotely identifiable, but there, oh my yes. I would know that smell forever, know it in the dark (ho-ho) from a city block away. I couldn’t forget something that weird.
For the millionth time: “Wouldn’t it be wild to go down there?”
And me, on cue and by rote, “Yeah. But we’re not.”
ABOUT THE AUTHOR: Kathe Koja writes novels and short fiction, and creates and produces immersive fiction performances, both solo and with a rotating ensemble of artists. Her work crosses and combines genres, and her books have won awards, been multiply translated, and optioned for film and performance. She is based in Detroit and thinks globally. She can be found at kathekoja.com.
Privacy, Disclaimer & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.